Sunday, 29 March 2009

N. Ampullaria Hot Lips


And the Hot Lips version, which is redder peristome than the light red one...although, I could do without the light red one...next up would be Brunei Red and the reddest them of all (well...according to The Man Fauzi), William Red. Also on the lineup include a Hookeriana Harlequin version (!). I previewed the Tricolor version and kinda impressed. I wonder what is the difference between all these Ampullaria...Cantley Red seemed to have some greenish tint at the bottom of the pitcher, Harlequin has a different tone red speckle compare to the red on the pitcher and has red peristome, Brunei Red is all single tone, darker red, including the peristome whereas I have not actually see William Red but Fauzi said it is dark red with burgundy. So many versions!

N. Ampullaria Harlequin.


Finally...the famous Harlequin version which I got from Fauzi today...

Earth Hour 2009

Earth Hour 2009...Esther and I actually have a small discussion on whether to follow suit on the unrelenting media barrages on the event today, to switch off all electrical lights between 8.30pm to 9.30pm. We decided not to, because we believe the entire event is too hyped up. Celebrities, local starlets all over the local media about their supposedly environmental inspiration and stuff. Boring... And yet we all still drive up the carbon emission on daily basis...just look at the early rush hour during weekdays...We want to chip in, for the sake of our kids and help but not in such manner...if everybody REALLY wants to help sustain or even rejuvenate the depleting resources of the planet, everyone should do it on REGULAR basis, and the entire socio-political groups in this country should rally for a change...for real. Reduce consumption and waste, recycle, create more green lungs...there is so many ways to go about it and if only there is a collective consciousness to drive it on REGULAR basis, then Earth...no, our kids and us, might still have a chance to savour what She could offer.

Saturday, 28 March 2009

Blade Runner : The Final Cut.



"I've... seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain... Time to die." ~ the soliloquy of Roy Batty.

Blade Runner is the second masterpiece shot back to back with Alien (1979) by Sir Ridley Scott. But unlike Alien, Blade Runner is not a box office hit during its initial release. It was also critically panned at that time because majority of the audience was reported not being able to truly grasp the essense of the storyline. It did not help that in 1982 it also had to face off tough competitor, in particular one of the highest grossing movie of all time called E.T. The initial release version also did not get the final approval of Scott who faces numerous issues making this movie. Fortunately, history would prove otherwise, thanks to a small group of fans who continue to stand by it. Eventually after several more releases of various versions, Blade Runner eventually gains its rightful status as one of the best neo-noir sci-fi movie to date.
The movie is loosely based on the late Philip K. Dick novel, Do Android Dream Of Electric Sheep? (1968). Instead of direct adaptation, scripwriters Hampton Fancher and David Peoples decides to concentrate on the selective ideas of the novel, disgarding the more indepth themes and background informations like religion and mass media (Mercerism and Buster Friendly), fertility and sterility of the populations (due to World War Terminus and subsequent radiation fallout), real emotions (Penfield Mood Organ) and what it takes to be human.
Reportedly affected by his brother death from cancer, Ridley directed Blade Runner based heavily on the theme of life and death shrouded in noir-ish atmosphere. The cool sounding title is taken from a novel by Alan E. Nourse of the same name.
The story begins on November 2019 AD with an atmospheric view of L.A. which has evolved into a sprawling megacity covers in heavily polluted haze not unlike KL during the Sumatran open fire crisis several years ago. In the center of the megapolis lies two massive structures which belongs to the Tyrell Corporation. It is hundreds of stories high and is the major economic lifeline for the city. Within one of the levels, Blade Runner Holden (William Paull) manages to detect one latest version of Replicant call Nexus-6 (which is virtually identical to human and uses as slave in Off World Colonies for occupations deem hazardous to be carried out by humans) by the name of Leon (the late Brion James) via Voight Kampff Scale test (an empathy test to differentiate human from Nexus-6) but is shot with a black hole gun. Down on the streets, recently retired Blade Runner Rick Deckard (Harrison Ford) is interrupted by Gaff (Edward James Olmos) while having a meal at a sidewalk noodle stall. Gaff, a mysterious Cityspeaking (a mix of Eastern European and Asian language) police officer with an imppecable dress sense, wants Deckard to follow him immediately. Deckard pretends not to understand of which Gaff retorts, "Lófaszt, nehogy már. Te vagy a Blade ... Blade Runner." (Hungarian: "Horsedick, no way! You are the Blade ... Blade Runner). Gaff told Deckard that the Replicant Detection Division Captain Harry Bryant (M. Emmett Walsh) wants to see him of which he then oblige. At the station, Bryant briefs Deckard about an escape of six Replicants from an Off World colony on board a space shuttle. They found the shuttle adrift with all 23 passengers dead. And Bryant wants Deckard to resume active duty in order to track and "retire" the Replicants due to Holden's permanent injuries but Deckard refuses until Bryant issues a thinly veil threat to him ("If you're not cop, you're little people!"). Without any choice Deckard reluctantly accepts the task for a final time. At the briefing room, Bryant shares the profile of the Nexus-6 Replicants to Deckard. There were originally six Replicants but two were killed whilst walking through an electrical field. They are trying to break into Tyrell Corporation. The remaining Replicants are Roy Batty (Rutger Hauer), their leader who is a combat model with an A Physical Level (superhuman strength & endurance) and an A Mental Level (genius level intellect) ; Leon Kowalski (Brion James) who could load 400 lb nuclear-warheads all day with A Physical Level and a C Mental Level ; Zhora (Joanna Cassidy) a A Physical Level and B Mental Level Replicant who is a member of a political homicide squad on an Off World colony; and Pris (Daryl Hannah) is a "basic pleasure model" with A Physical Level and B Mental Level. Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe to prevent them from developing emotions and desire for independence. This also means the Nexus-6 possess extraordinary abilities in order to maximise their worth. Deckard then goes to Tyrell Corporation with Gaff watching his every moves, to conduct a Voight Kampff test on a Nexus-6 there as instructed by Bryant. Deckard is received by Rachael (Sean Young), Tyrell's niece. Then Dr. Eldon Tyrell (Joe Turkel), the genius who founded the Corporation and created the Replicants for Off World Colonies introduces himself. He wants Deckard to prove the reliabilty and effectiveness of the Voight Kampff by test on Rachael. After more than hundreds of cross referencing and questioning, it turns out Rachael is a Replicant with implanted memories of Tyrell's deceased niece. Tyrell explains that with memory implants it would provide the Replicants a sort of cushion to cope with the sudden emotional development. Intrigue, Deckard then leaves with Gaff to check on Leon's former residence at Hotel Unterwasser. There Deckard picked up a piece of scale on the bathtub as well as taking a stack of photos belonging to Leon. Unknown to them, Leon is standing outside the hotel observing them and later joins Roy who is at a Videophone booth. Roy is deteriorating as his limited lifespan is getting near. They go to see the artificial eye creator Hannibal Chew (James Hong) at his Eyes World laboratory. Tearing Chew's artic clothing apart and leaving him to the point of being frozen to death, Roy forces Chew to reveal to him who could extend the four years lifespan. Chew told him to see Tyrell but only J.F. Sebastian (William Sanderson) the genetic engineer who suffers from accelerated aging called Methuselah Syndrome would have access to him. Later, Rachael visits Deckard at his apartment to prove her humanity to him but leaves in tears after Deckard coldly tells her that her memories are implants. Meanwhile Pris makes her move at Sebastian by deliberately crashes into his vehicle outside the Bradbury Building where Sebastian is the only residence. She then strikes up a conversation with Sebastian and began to manipulate his loneliness and feeling. Sebastian invites her to his apartment where he spends time making toys who also doubles as his friends as he are not allowed to migrate to Off World colonies due to the genetic disorder. Meanwhile Deckard is seen in his apartment drunk and halfdreaming about a unicorn before he gets back to work and uses a computer scanner to go through Leon's photos of which he finds the image of Zhora. Deckard then goes to check on the origin of the scale and is informed that it is a snake scale which is manufactured by Abdul Ben Hassan, who owns a shop at the Animoid Row. Interrogating Hassan, he informs Deckard that the snake was purchased by someone who works at Taffy's Snake Pit Bar, a strip club down in Sector Four. Deckard questions Taffy Lewis (Hy Pyke) but fails to get any information from him. He calls up Rachael to meet him there but is rejected. He subsequently watches Zhora performance and later pretends to be an investigating officer who questions Zhora in her changing room but she suspects Deckard is a police office, swiftly delivers a blow to his throat and escapes. Deckard chases Zhora through the streets before shooting her dead. Captain Bryant and Gaff arrives to sarcastically commended Deckard for the job well done but instead of three Replicants now there are four to be retired as Rachael has been missing from Tyrell Corporation. After they leaves, Leon suddenly appears and savagely beats up Deckard before Rachael shoots Leon in the head with Deckard's gun. Rachael follows an injured and equally shaken Deckard back to his apartment where they have physical intimacy. Back at the Bradbury, Roy arrives at Sebastian's apartment and seeks his help to bring him to see Tyrell. It seems that Roy and Pris are also lovers. Sebastian knows they are Nexus-6 but only agrees after being coyly asks by Pris who is also reaching her lifespan expiration. Under the pretext of a corresponding chess move, Roy and Sebastian manage to see Tyrell personally where Roy confronts Tyrell on the four year lifespan issue. Tyrell explains that many experiments and tests have been carried out but all fails, resulting in the subjects being dead. Roy seemingly resign to his fate, then seeks for absolution from Tyrell as he has done many actions deem "questionable". Tyrell brushes this aside and instead praises Roy for he is the most perfect Replicant Tyrell has come across and Roy should "revel in his time" for these extraordinary capabilites. Insulted, Roy crushes Tyrell's head with his bare hand and goes after Sebastian. After receiving news about the death of the two men, Deckard arrives at the Bradbury and is ambushed by Pris who eerily pretends to be one Sebastian's toys. She nearly kills Deckard until he manages to reach for his gun and shoots her. Roy arrives immediately after the shooting and begins to taunt Deckard in a game of cat and mouse throughout the dipilated building although he is deteriorating away fast. Finally, Deckard runs out of space to escape from Roy, he tries to jump over the adjacent rooftop but fails to do so and hangs on his life by a hand on a steel beam. Roy sees this and jumps effortlessly over. He looks at Deckard and says, " Quite an experience to live in fear, isn't it? That's what it is to be a slave." As Deckard slips, Roy catches him and lifts him up to safety with one hand. Roy, staring at Deckard and with pigeon in his arms, says, "I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the darkness at Tannhäuser Gate. All those moments...will be lost in time...like...tears in...rain. Time...to die." He is then gone and turns white as procelain. Deckard could only looks in disbelieve what he has just heard and gone through. Gaff arrives on the rooftop and again sarcastically commends Deckard for task accomplish. He then tells Deckard, " It's too bad she won't live. But then again, who does?" Back at his apartment, a frantic Deckard looks for Rachael and finds her. Glad that she is alive, both leaves the apartment and on the way to the lift, Deckard comes across an origami of a unicorn.
Blade Runner has the same visual impact on me as Alien has done, although in different manner. This movie introduces me the term, "cyberpunk", even though this concept is not really express in it. Due to budget constrains, many of the sets are "retro-fitted" which adds to the realism. It is also a movie which kinds of "foreshadowing" the future development of multi-cultural major cities around the world today. Cityspeak for example, which is a language forms from combining words from different languages and dialects. Singlish, Manglish? Massive billboards on the side of buildings are a norm nowadays but Blade Runner highlights it in popular format first. And there are scenes on the streets which shows a potpurri of various cultures, much like a modern metropolis. Then there is its influence on virtually every other sci fi tv shows, movies and even animations. There are so many ways to interprete the movie. Roy saves Deckard because in his dying moment, he values life above all and should appreciated tremendously. Because for Roy, his fate is like a goldfish in a bowl, a built in death sentence. I am not sure why Gaff allows Rachael to live though. And yes, I concluded Deckard is a Replicant. But this is very much depends on the versions. The Final Cut made it clear, without any doubt because his eyes glow in one scene, he has a daydream about a unicorn and Gaff made an origami of it. Gaff also made a stickman with an erection, just prior to him and Rachael make out. Thus like Deckard reading Rachael's memory file, his too are being made known to Gaff. At his apartment, there too are stacks of old photographs like Leon fonds to do. The movie also question the timeless concept of what is it that defines human. Like Friz Lang's Metropolis, the Replicants seem to seek "humanity" whilst others like Byrant and Tyrell seems to have lost it and become cold like a machine.

Friday, 27 March 2009

LV Utah leather briefcase.




I need some retail therapy at times like these..illogical but could do with a nice LV leather bag and wallet. I have been eyeing the Utah leather, "Apache" briefcase for quite a while. I think it captures some vintage vibe. More importantly it is not in their signature "loud" LV monogram, discreed with that oh so lovely brass buckle. Problem is it cost at least MYR 10 grand here...

Chloe 1st Birthday!






Photos from Chloe's first birthday last year. We celebrated it in grand style, true to the tradition which mom said we must follow. We set up a buffet and invited no less than 50 guests to our house. Esther bought her a special dress for the ocassion and also ordered a home made special cake for her. I made a best I could paper cutting of her name and stick it on the ceiling. Hard work...Prior to that, as per tradition, I am not sure from where or source, we gave Chloe her very first chicken drumstick which she tried to bite but to large for her and eventually gave up hehe..we sliced it for her later I think. Mom also held a special prayer ceremony for her in the morning. Chloe looks so cute and plump-ish.

Thursday, 26 March 2009

Happy 2nd Birthday Chloe!









Today Chloe turns 2 years old. Very fast. Mom prepared Lam Mee (Hokkien style) for her. I bought her a present from Toys R Us which is a replica of a kitchen with all the utensils, since she has been asking for a cooking set for quite a while. Esther bought her the same thingie but on smaller scale from Jusco. When asked whether she likes it, she beamed, smiled and say an assuring yes. We invited Suetch and Sasa to join in today with the rest as well for a small scale dinner. I bought a bucket of KFC, and Kuan's mom chipped in with some delicious satays. Chloe isn't feeling well since yesterday, down with fever and her throat is pretty red. I brought her to the Dr. Kwek and he prescribed her some fever, antibiotic and a couple of sweet tablets for the throat. Earlier this morning I went to this cupcake specialty store called A Taste Boutique to collect her cake, which is in the form of 20 cupcakes with icing figurines. The icing on top of the cupcake is a tad too sweet, but the cake is nice. Whilst taking photos, Chloe cried after seeing Kuan's girlfriend whom he brought to introduce to us first time today. She only settled down after much persuasion. Mom mentioned that Chloe may be having fever because of her birthday and adviced us not too mention loudly in front of her, something which gotta do with tradition and superstitious belief. Well, anything to make her well, I tried not to say it too obvious in front of her.

Tuesday, 24 March 2009

Alien : The Director's Cut.







"In space no one can hear you scream"

Undisputedly one of the greatest masterpiece of sci fi horror genre, Alien (1979), directed by eventual uber director, Sir Ridley Scott, set a new standard in terms of suspense and fear of the unknown. Based on a script written by Dan O' Bannon with Ronald Shusett, the story begin in year 2122 AD with a crew of seven "space truckers" on board of commercial towing vehicle Nostromo bringing a massive refinery processing 20 million tonnes of mineral ores back to Solomons, a mining colony on Earth from Thedus (located on the Outer Veil sector). Approximately halfway through the journey, the onboard AI known as Mother, interrupted the crew stasis due to receiving a transmission of unknown origin, presumely an SOS. The crew's captain Dallas (Tom Skerritt), briefed them about the transmisson and based on the terms and conditions of the company (Weyland-Yutani) of which they are contracted for, any signal intercepted would have to be investigated or their shares would be forfeited. They proceed to the source of the transmission which is traced to a planetoid (Archeron or LV-426, a moon orbiting an unnamed gaseous ring planet) roughly about 1200km in radius located at ζ2 Reticuli (one of the binary star system located about 39 light years away from Earth). The rough weather on the planetoid causes Nostromo to breakdown during landing. Whlist awaiting Chief Engineer Parker (Yaphet Kotto) and Enginering Technician Brett (Harry Dean Stanton) to repair the ship, Dallas, Executive Officer Kane (John Hurt) and a reluctant Navigator Lambert (Veronica Cartwright) decides to walk to the source of the transmission, closely monitor by Science Officer Ash (Ian Holm) and Warrant Officer Ripley (Sigourney Weaver) as they go along their journey. They eventually come across a derelict spaceship and proceeded to enter inside. At this point, their cameras seem to be disrupted and Ash as well as Ripley could not see or hear audibly what is happening. Within they encounter a hugh dead alien "pilot"(the space jockey). Dallas mused that the alien must have been dead a long time as it seems fossilised. Dallas also observed the body and curiously its "ribs" seemed to have been blown from inside out. Meanwhile Ripley began to re-interprete the SOS and suspected that it may be a warning instead. However, when conveying this to Ash, he brush off the discussion. Back at the derelict ship, Kane sees an opening on the floor and proceeds inside. Within he comes across a massive holding bay which houses numerous egg like objects. The eggs are covered with a protective layer of blue mist which reacts with a humming sound when broken through. Kane walks precariously along a narrow ramp separating the eggs but slips and fell through the mist. Face to face with one of the eggs, he curiously reaches out for it where he observes a small leathery object within. As his hand goes near, a hiss occurs (as well as droplets of moisture seem to drip upside down) and the top of the egg steadily peels open. Kane peek inside and suddenly the small leathery object (facehugger) ejects out at an incredible speed and force. The impact broke through Kane's helmet and attaches itself to his face. Back at Nostromo, Ripley refuses to allow all three to re-enter the ship due to quarantine procedure but the main hatch door is manually override by Ash, much to Ripley surprise. Immediately, Dallas and Ash proceeds to check on Kane. Trying to detach it, the tail of the object tightens like a noose, threatening to crush Kane's neck. They then try to cut through its finger like legs but it spills out pure concerntrated molecular acid which subsequently burnt through three levels of the hull. Ash suggested to wait and see as any further attempt would probably kill Kane. Meanwhile Parker and Brett announces that Nostromo is 90% restored and would be able to takeoff, much to crew relieve. Back in space to continue their journey back home, Ash informed Dallas, follows by Ripley that the object has detached itself from Kane. After awhile, Kane awakens but could not remember anything. Having a meal before the stasis, the crew chats happily amongst one another when they are interrupted by Kane who appears to be choking. As it appears to be getting more and more dire, Kane goes into a fit and began to convulse violently, as well as gurgling from within. As the crew tries to restrain him, a blood patch suddenly appears on his shirt. Then, in one of the most horrific scene in cinematic history, Kane's chest tears apart as a small snake like creature (chestburster) explodes through. The creature gives one horrific shrek at the crew before quickly slitters away whilst Kane convulse in the background before passing on, covers in a sea of blood. The crew decides to capture the creature and dispose it. Brett comes up with a cattle prod like device whilst Ash manages to cobble together a range sensor machine. Divided into two teams, they begin to search for the creature but Jonesy, Ripley's cat causes false alarm thus Brett is assigned to capture it. Inside the landing gear room, Brett corners Jonesy but from the back, a massive creature descends from the ceiling via the air vent system and kills a horrified Brett by using its jaw to punch through his skull. Parker and Ripley arrive too late but manage to glimpse the creature as it hauls a screaming in pain Brett away into the air vents. With everyone at wits end, Ash suggested to use fire to force the creature out from the air vents and into the airlock in order to eject it out into space. Armed with a flamethower, Dallas volunteers to go into the air vents to flush the creature out into the airlock. However, the range sensor device does not function properly, resulting in Dallas being ambush by the creature. They could not find his body nor traces of blood. With the absence of Dallas, Ripley resumes the first in command. Being suspicious of Ash from the beginning of the incident, Ripley goes to seek Mother for solution directly. She manages to log into a company directive meant for science officer only. The confidential directive is to ultimately preserve any alien lifeform they would come across, even at the expense of the crew lives. Suddenly Ash appears beside her and tries to explain but Ripley would not have any of it. As Ripley goes to seek out Parker and Lambert to reveal the shocking information, Ash stands in her way and began to violently slam her against the wall. He seems to be sweating "milk". Then he attempts some form of sexual assault by stuffing a magazine into her mouth. Parker and Lambert arrive and tries to stop Ash but are overpowered instead. Lambert then uses a fire extinguisher and slams it hard onto Ash's head, decapitating him. It then turns out that Ash is an android. Still functioning, Ash attempts to attack Lambert but is finally stopped by Parker who has to use a electric prod to short circuit him. With Ripley, they then interrogate Ash by reconnecting only his head. It turns out Ash has been protecting the creature all along from the beginning which confirms Ripley suspicion. Ash also admires the creature calling it the perfect organism whose act is devoid of any morals or feelings. Finally Ash sarcastically told them that they have his sympathy as it would be impossible to kill the creature and their chances of surviving the ordeal would be zero. Having enough of it, Parker then torches Ash. Clinging on any threads of hope, the three decides to take their chances on board the life boat Narcissus which could only support one crew member but not before destroying Nostromo by making it self detonates. As Ripley goes to manually override Mother, Parker and Lambert are confronted by the creature in the supplies room where both are violently killed. Seeing their bodies, Ripley attempts to abort the self destruct sequence to buy time but to no avail. Running through the corridors now fill with vapours as Nostromo begins countdown, Ripley comes across the body of Brett and a barely alive Dallas in the landing gear level. Both are stuck to the walls in sitting position, cover in glutanious substance. The entire surroundings look almost unrecognisable. Brett's body already changes into an egg-like form whilst Dallas pleads with Ripley to kill him of which she did by torching the entire place down. Ripley then took Jonesy and proceeds to Narcissus in time to reach a safe distance as Nostromo explodes. Unfortunately for Ripley, the creature is also onboard. Changing into her space suit, Ripley opens the shuttle door and then shoots it with a grappling gun out of Narcissus but the creature goes into one of the engines. Ripley activates the engines jet and blast off the creature. Finally, Ripley goes into stasis after logging a report of the entire incidents, clinging on a glimmer of hope that she would be eventually found.
The movie is a box office hit and won numerous accolades and awards. It would also spins off three sequels and two crossovers with Predator as of date. By engaging Swiss surrealist H.R. Giger and uses his designs, the movie captures the "alien" aspect perfectly. His works are applied on the planet surface, the creature, the larvae and eggs, as well as the derelict spaceship and its pilot. Majority contains certain level of erotism, probably due to Giger's influence. The creature's head look like male genital. The entrance into the derelict spaceship is very much vagina like. Within, the walls seem to look like ribcage. For the non-alien aspect, Rob Cobb designs an excellent interior of Nostromo, very claustrophobic and fills with iconography and given it a certain degree of realism. Scott also ensures that the Nostromo's interior looks worn and covers with grime to give it a used feel. The visual beats the CGI effect anytime. Jerry Goldsmith made the soundtrack and although heavily edited by Scott, it manages to capture the flow of the storyline which heighten the suspense and fear. In terms of the storyline, there are numerous edits to it which I think worth mentioning. Dallas originally has a relationship with Ripley and they have a love scene on board. In another, Ripley is sitting in Ash's Blister when a tapping noise occur and is caused by the body of Kane floating around there. Lambert originally suppose to meet her demise violently within the air lock by being sucked into vaccum through a hole cause by the creature's acidic blood with a diameter of one inch but the visual effect at the time has not reach that stage yet. This is where Parker suppose to have spotted the creature entering the air lock and Ripley shut the door on his cue but only manages to cut off its tail and leaves Lambert trap within. Also, a lot of speculation occurs as how Lambert actually died. The movie shows only her naked lower torso covers in blood, dangling midway with a broken toe. Her bloodcurdling scream could be heard through Ripley's intercom as the creature attacks her. Some fans say that she is sexually assaulted by the creature whilst some say the creature strips her clothes off in an attempt to pull her into the air vent. The part where its tail slowly creeps in between her feet is actually shot for Dallas. Also, Lambert wears cowboy boots, not sneakers. Finally, Scott wants Ripley to die in the end by having the creature ripping off her head and then mimics her voice into the final log entry onboard Narcissus. The producer vetoed this violent ending and thus Ripley would survive her ordeal and destined to battle one of moviedom most memorable monsters for the next three sequels spanning several centuries. In the first movie, one could not see the creature very clearly which is intentional in order to raise the fear of the unknown. The creature life cycle (inpired by insects, in particular the spider Ichimoid) is more disturbing prior to the first sequel made by James Cameron in 1986 which introduces the Alien Queen. The alien would capture hosts either alive or otherwise to be metamorphosised into eggs. After implanting the embryo within the chest cavity of the host, the larvae known as facehugger would cease to function. Very quickly, after bursting out from the host, it would molt and developes into a full size adult. Initially the biomechanical adult would look transparent and becomes darker as it goes on. The adult would possess part of the physical trait of its host, such as a human like skull on the front, bipedal but walks in a crablike manner. It would then proceeds to capture host to repeat the cycle. The creature is also said to be able contort itself into tightest space in order to hide or ambush its prey. The derelict spaceship and its sole dead occupant is said to be a bomber-carrier, intend to drop the eggs onto targeted planet as a sort of biological weapon of mass destruction.